18-55mm IS lens, Canon 80D, Luminar, made with Luminar, Monochrome Monday, Photo Editing, Photography

Made with Luminar: Dublin Black and White

Today I was working with this image shot in Dublin in February:

ISO 800 f/11 1/250sec 28mm

I went with a black and white interpretation:

ISO 800 f/11 1/250sec 28mm

Luminar Look applied:

On one layer, Architecture Smooth, filter left at 100%. On another layer, Aerial Dreamy, with the radiance slider dropped and vignette moved and edited. This filter also left at 100%

The Made with Luminar Series

This image is part of a project I am calling Made with Luminar. What the images in this series have in common is the software used to edit them, Luminar 3. As with my usual blog posts particulars of the camera settings can be found in the caption below the image. The text of these posts include the Luminar “Looks” that have been applied to the photo. Each look is a series of presets that are applied to the photo. Where applicable I will mention what changes I have made to any of the looks. A full explanation of looks is available here on their website, https://skylum.com/luminar/user-guides/chapter-14-working-with-luminar-looks

You can assume other edits have been applied. My most common edits are cropping, detail enhancement, and vignette. Specific questions or thoughts on the image are welcome in the comment section below.

Cheers!

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50mm Lens, Canon 50D, Luminar, made with Luminar, Photo Challenges, Photo Editing, Photography, travel, Tuesday Photo Challenge, What I Am Working On

What I Am Working On: LUT’s

Before I get into the steps and explanations I’ll say that I wanted to experiment a bit with this file:

ISO 800 f/13 1/2000 sec 50mm

It’s shot from Mt. Snowdon in Wales, a hike that is popular but needs to be treated with respect, so if you are thinking of doing it some planning and also checking the current weather conditions are necessary.

The final edit is this one:

ISO 800 f/13 1/2000 sec 50mm

I was thinking about two things in this edit. The first was that in person, the haze that shows in the photo file seemed less. The second was that the contrast between light and dark seemed more pronounced. I’ve reflected this in both the sky and the shadows on the mountain. The final edit is more like the hike that resides in my memory.

I started with editing the sky on its own layer. In this past post, I talk a bit more about that and include a link with video instructions. What I would point out here is that I think it is important to do sky specific edits on its own layer because this makes it possible to revisit the edit and make changes without having to effect other edits done on other layers.

The next phase of the editing process was more experimental. In this case, I am using LUTs to create a new look for the photo. LUT stands for lookup table and when you apply one it will change the color and tone of the image based on the instructions that are in the LUT. This explanation of LUTs and how they work I have chosen to link in because I think it provides a good explanation of what a LUT is and then directions of how to access them within Luminar which is the software I am using. The further step that I have taken is to use two LUTs on the photo. I have each of them on a separate layer. Having set the two layers in place, I could then use the sliders available on each to control the amount of LUT applied. When working with this type of preset, it is important to remember that once applied, you can make edits to the preset, you are not obligated to keep it as is.

Editing software comes with all sorts of presets and as you are learning to use it, I would advise experimenting. Making even small changes from a preset can help the photo you are working on look more like the vision you have for it rather than a set idea the software has added. Feel free to comment or ask a question below.

Cheers!

Added to Tuesday Photo Challenge, Tourism.

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Canon Powershot ELPH 320 HS, Cee's Fun Foto Challenge, Luminar, Photo Challenges, Photography, What I Am Working On

What I Am Working On: Old Files

From time to time I go through photographs that I shot several years ago to see if I would like to try a new interpretation of them. That’s how I came to be working on this file:

ISO 250 f/2.7 1/60sec 4.3mm

This photo was taken at St. Michael’s Church in Betws-y-Coed, Wales, in 2016. So, some things haven’t changed since then, like the fact that I enjoy visiting churches and graveyards. This photo was taken with my point and shoot that only has jpeg file capability.  That means there is a limit to how much detail I am going to get out of the sky. To work around that one of the filters that I used was “dark fog”. I paired it with a filter called “Old Timer” that I have in a collection of Halloween “looks”. I felt that a Halloween filter was appropriate with it being October and the photo being an old graveyard. My final edit was something much darker than the original:

ISO 250 f/2.7 1/60sec 4.3mm

Do you like the edit? That tree was really something else! and I feel like it adds a lot of character to the photo. Feel free to leave a comment below.

Cheers!

Added to Cee’s Fun Foto Challenge, Circles, Curves, and Arches.

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70-200mm IS lens, Animals, Canon 50D, Lens Artists Photo Challenge, Luminar, made with Luminar, Photo Challenges, Photography, Picfair

Made with Luminar: A Place in my Heart

It’s been almost two years since I was in Tanzania and I still find it difficult to exactly express why this trip was so important to me. Even harder is to distil that thought into a single image. I have many files from that trip that I have chosen to keep but have not been through the editing process yet. The lens artist photo challenge for this week prompted me to go through them and this is the image that floated to the top of my imagination:

ISO 400 f/18 1/200sec 73mm

The vast landscape that was teeming with life. The humor of being caught in a wildlife traffic jam. The color of the landscape itself. These are all things that appeal to me in this image. For this particular image though, it is the inquisitive zebra that is the story. My edits reflect this. The crop and placement of the vignette are the most simplistic edits I have applied to accomplish this. The other technique I used was after applying a filter that gave this photo a bit of a vintage memory look, I used a brush at 20% to remove the filter a bit on the zebras in the foreground.  The final edit is this:

ISO 400 f/18 1/200sec 73mm

What do you think of this edit? Feel free to leave a comment in the comment section. Because this was also a part of my Made with Luminar series, the next part of this post will spell out some of the details of the edit.

This photo was created for and added in response to the Lens-Artists Photo Challenge, Pick a Place. The Picfair version is here.

The Made with Luminar Series

This image is part of a project I am calling Made with Luminar. What the images in this series have in common is the software used to edit them, Luminar 3. As with my usual blog posts particulars of the camera settings can be found in the caption below the image. The text of these posts include the Luminar “Looks” that have been applied to the photo. Each look is a series of presets that are applied to the photo. Where applicable I will mention what changes I have made to any of the looks. A full explanation of looks is available here on their website, https://skylum.com/luminar/user-guides/chapter-14-working-with-luminar-looks

You can assume other edits have been applied. My most common edits are cropping, detail enhancement, and vignette. Specific questions or thoughts on the image are welcome in the comment section below.

Luminar Look applied: Past Days. The texture within the look was reduced and the filter is set to 74% application. A mask was added and the filter was brushed out with a 20% opacity brush over the zebras in the foreground. A few more spots of the texture in the sky were erased.

Cheers!

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18-55mm IS lens, Canon 80D, Luminar, Photo Editing, Photography, Tuesday Photo Challenge, What I Am Working On

What I Am Working On: Building Blocks

Sometimes my process of creating an image can involve many steps. The first can be as simple as what is going on around me or what I might be looking at online. For this particular image, I pulled it out to work on because, as you will see in the link at the bottom, Tuesday’s Photo Challenge is stone. The photo Frank used in the prompt was shot in Ireland. So, I thought it would be interesting to also create a stone image from Ireland. Here is the image I started with:

ISO 3200 f/11 1/80sec 18mm

I liked this image because of the story I saw in it, and went about coaxing what I saw in it, out of it. What follows is a series of screenshots of the various stages of construction. First is the overall general edits:

Shows the first basic steps.

I adjusted the whites (up) and blacks (down), boosted the luminance of the reds, oranges, and yellows, then I sharpened a bit by increasing the small details.

The next layer, I labelled “Desaturation layer”. On this layer, using the HSL sliders, I removed the following colors: green, aqua, blue, purple, and magenta:

Where I remove most of the color.

For the final layer, I added my custom made look called “Amy Black and White Pinhole”:

In a minute I would add back in a hint of color.

I have a blog post about creating a saving a custom look here. Then I set about editing that look for this particular photograph, and the end result is this:

ISO 3200 f/11 1/80sec 18mm

I did things like adding the saturation of the reds and yellows back in. I’ve also tweaked the amount of the “Orton Effect” filter and set the vignette in a better way for this particular scene.

Writing out these steps has been an interesting experience as well. It has taken longer to do that then execute the steps, or at least it felt longer. Creating the image, in this case, was pretty simple because the final edit was something that I had already seen in my mind and I had a fairly decent idea of how I was going to go about getting it to emerge.

Thanks for reading this far. Feel free to leave and comment below. This photo has been added to Tuesday Photo Challenge, Stone. If you are like me and enjoy looking at stones, there is a camera installed at Stonehenge, I find it calming and visit a few times a week. The photo from this post was taken at Kilmainham Gaol, a prison in Dublin that is well worth touring.

Cheers!

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18-55mm IS lens, Canon 80D, Luminar, made with Luminar, Nature, Photo Editing, Photography, Picfair

Made With Luminar: Snowdrops with Film Fade

This image is the first of a new series that I am starting on the blog. It is a result of a new workflow routine that I have been experimenting with. I have been trying out new filter combinations within the Luminar software that I am using and this series will be a way of documenting that.  If you are interested in filters, I’ll be naming the ones used. If you just like to look at photos, feel free to just enjoy these posts in that way.

ISO 400 f/11 55mm 1/100sec

Luminar Look applied, Expired L12, with an adjustment of the LUT mapping from 15 to 7.

Added to Cee’s Flower of the Day Challenge.

Picfair version here.

The Made with Luminar Series

This image is part of a project I am calling Made with Luminar. What the images in this series have in common is the software used to edit them, Luminar 3. As with my usual blog posts particulars of the camera settings can be found in the caption below the image. The text of these posts include the Luminar “Looks” that have been applied to the photo. Each look is a series of presets that are applied to the photo. Where applicable I will mention what changes I have made to any of the looks. A full explanation of looks is available here on their website, https://skylum.com/luminar/user-guides/chapter-14-working-with-luminar-looks

You can assume other edits have been applied. My most common edits are cropping, detail enhancement, and vignette. Specific questions or thoughts on the image are welcome in the comment section below.

Cheers!

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