While a good majority of my photography is about recording a scene and then editing to show what I saw, it is fun also to interpret a scene. That was the case when I shot this photo at the Rembrandtplein in Amsterdam in the Fall of 2016:
This photo gives you an idea of what the bronze statues around Rembrandt’s statue look like. They are an interpretation and tribute to his painting The Night Watch. I took the first photo as a way of remembering the overall scene. Then I took this photo:
It was a more detailed shot of the statues, as I found their texture to be very interesting. I knew I wanted a few things out of my interpretation. The first was to keep that detail of the bronze as an important element. The second was to use the terribly blown out sky in a creative way:
An adjustment to the detail slider helped bring the clarity I wanted. I used the “small details” only. The Luminar Look, Enigma, gave me the glowing sky I wanted.
Now a word about cropping. The first crop was done in-camera. That was the conscious step of photographing the whole scene and then asking myself what I found most interesting about what was in front of me and then taking a photo of that. That is how the second photo came to be. I often approach photography this way. Particularly when I travel, I find this a nice exercise in being in the moment. It makes for nice memories too, when I looked at these original files this morning, I could remember this moment. The second crop was done during the editing process, that Booking.com building is pretty distracting. When the crop didn’t remove it entirely, I used the clone and stamp tool to take the rest of it out.
The last edit was to set a vignette with the center on the statue. It’s a pretty subtle vignette, particularly compared to some of the other, more drastic, edits. A bit of a final nudge.
Your thoughts, comments, or questions about my method or the edits are welcome below.
Added to Lens-Artists Photo Challenge, Cropping the Shot.