11-22mm Lens, Canon 50D, Photography, Picfair, Wordless Wednesday

Wordless Wednesday, Utah Beach

ISO 400 13mm f/16 1/800sec

Picfair version here.

Cheers!

 

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11-22mm Lens, Canon 50D, Photography, Picfair, Wordless Wednesday

Wordless Wednesday: Cemetery of the Four Nations, Caen, France

ISO 2000 21mm f/16 1/20sec

Picfair version here.

Cheers!

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11-22mm Lens, Canon 50D, Luminar, Photo Challenges, Photo Editing, Photography, Tuesday Photo Challenge, What I Am Working On

What I Am Working On: I Wonder what that Button Does?

Sometimes a little bit of curiosity can be a good thing. When it comes to photo editing this translates into: just push that button or slide that slider and see what happens. It’s usually pretty easy to back up if you end up with a result that you don’t like. All you need is curiosity and a little bit of time. This image below was taken at Pointe du Hoc.

ISO 400 22mm f/16 1/100sec

My first edit was this one:

ISO 400 22mm f/16 1/100sec

It features a lot of the edits you would expect from me. I’m hoping you think this edit pops a bit and is a bit more clear. I’m hoping that you don’t think that it varies too much from the original. With this type of edit, I’m looking to represent the scene as it was.

As per my recent blog post, I saved a version of it. Then I continued to edit. I was looking to create something a bit different:

ISO 400 22mm f/16 1/100sec

When I am in this more creative mode, my layer panel starts to look like this:

Layers Panel screenshot

If you have no interest in using layers or already know all about them, feel free to skip the rest of this post, leave a comment or like below if you that appeals to you. The rest of this post is a bit about layers and how to use them.

In the screenshot, the original file and then the layer above it is what led to the natural version of the photo. The layer marked, “silver lining” and the two above that are part of the more creative version. I’d like to mention a few things that I think are important to consider when making a creative edit. The first is that I think it is really helpful to have additional edits on separate layers. This makes it easy to see what you have done and remove or further work on any particular edit. Making a new layer is easy and pretty universal in photo editing applications. In this particular case, I clicked on the “+” to the right of “Layers” and a drop-down option was “add adjustment layer”. Let’s say on Adjustment Layer 1 I wanted to adjust the exposure.  I do that and then add Adjustment Layer 2 and edit for clarity on that layer.  I could then click on the eyeball from Adjustment Layer 1 and that would turn off the exposure adjustment if I wanted to see what the photo would look like with just the clarity adjustment. That gives me the flexibility of having several edits that can easily be adjusted or even deleted independently of one another. Also, It is possible to rename layers, for example, the layer that is called silver lining, that is the name of the filter I put on that layer. In this case that not only makes it easier to know what adjustment is there but also functions as a reminder to myself as to what filter I have used. Changing the name of a layer is done by clicking over the text, and changing the text when the text box appears.

Your thoughts on my edits and the use of layers are all welcome below.

Cheers!

Added to Tuesday Photo Challenge, Wonder.

Picfair version here.

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11-22mm Lens, Canon 50D, Luminar, Photo Challenges, Photo Editing, Photography, Picfair, Tuesday Photo Challenge, What I Am Working On

What I Am Working On: Editing in Black and White

This week I was working on learning something new.

I began with this file:

ISO 200 22mm f/16 1/200sec

And a webinar that I was watching which is now archived here. The webinar is about creating a black and white image in Luminar.

Here is my black and white edit:

ISO 200 22mm f/16 1/200sec

No need to adjust your screen. No, I am not kidding about what I wrote above but yes, I am aware that is a color version of my photo.

I’ll take a couple of steps back. The first thing I did was crop the image a bit. Then I used the eraser tool to get rid of whatever that is in the lower left side of the image and a few of the people that were on the beach. I wanted to create a nice expansive space in the foreground of the photo.

Then, I was watching the webinar on creating a black and white image. Often times in black and white edits, you will have the option of putting a color filter on the image, it keeps the image black and white, but depending on the filter, different elements of the photo are accentuated. In this case, I kept it set at just a plain black and white, which makes the photo pretty flat.  Here is a screenshot of what that looked like:

This next screenshot shows that plus my next step which was to drag the luminance sliders around. Making the blue low and the yellow high created the deep blue tones while leaving the stones nice and monochrome:

I was pleased with the way this experiment turned out, but what do you think of the results? Feel free to leave a comment below.

Cheers!

Added to Tuesday Photo Challenge, Growth.

Picfair version here.

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11-22mm Lens, Canon 50D, Lens Artists Photo Challenge, Luminar, Photo Challenges, Photo Editing, Photography, Picfair

Altering the Landscape

Usually, when I think of landscape photography I think of sweeping vistas devoid of people or man-made elements. But not always, so when I saw there was a photography challenge up this week where “landscape” was the theme, I thought I would consider something that had an obvious human footprint.  At the moment, I am working on processing photos that I took in Normandy, France. I have a lot of beautiful coastline shots. Normandy is a beautiful area, but obviously, it’s history includes that of WWII. I will be posting a photo in a few days of the coastline of Dieppe, in Normandy, but first I edited these photos from the Dieppe Canadian War Cemetery:

ISO 200 10mm f/16 1/125

This first shot is shot at the widest angle, to show as much of the landscape as possible. It’s been edited to give the colors a bit of a boost and a bit of clarity. This second shot is edited in much the same way:

ISO 200 12mm f/16 1/160sec

To take this shot, I brought the stones into more detail by both taking a step closer and by bringing my lens from 10mm, which would have shown more of the scene, to 12mm, which shows less.

With these two shots, I was hoping to convey the reality of what this cemetery looks like. Most of the soldiers buried here are Canadian, the rest are British. The soldiers laid to rest here were killed in the Dieppe Raid of 1942. It was a disaster for the Allied Forces and while not all of their casualties were left behind, a lot were. It is interesting to me that this cemetery was created by the Germans, see the back to back stones of the first rows? that is typical of a German style of burial. Perhaps more interesting is that when the war was over, this cemetery remained here.

What I’d like you to know if you’re Canadian or British and have a family member or countrymen interred here and you aren’t able to visit, the Germans picked a beautiful spot to bury your loved one. I hope that my two pictures convey a sense of the beauty of the landscape here.

Which brings me to my third photo:

ISO 200 10mm f/16 1/160sec

This last edit is where I am trying to process what would have been the terror of the raid with the beauty of the land itself. To shoot this idea, I decided to shoot from behind the stones and into the sun. The filter I applied to this had a red tinge to it. The red for the heat of battle, blood itself, confusion, anger and hatred, and the red prominently in the Canadian flag. It’s a lot to try and sum up in one image.

Cemeteries are wonderfully complex places to me. I hope that I have conveyed some of that in these images. What do you think of my edits? Your comments are welcome below.

Cheers!

Added to Lens-Artists Photo Challenge, Landscapes.

Picfair shot 1.

Picfair shot 2.

Picfair shot 3.

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11-22mm Lens, Canon 50D, Luminar, One Word Sunday, Photo Editing, Picfair, What I Am Working On

What I Am Working On: Erase Vs. Clone and Stamp

Sometimes, there are certain photographs that I work on more than once. This is one of them:

ISO 640 16mm f/16 1/400sec

I wrote a few months ago about editing it, that time it was a color version, this time a black and white:

ISO 640 16mm f/16 1/400sec

I started with a crop, then devoted some attention to remove the fence in front of the sculpture.  I made use of the erase feature of Luminar, but I also used the clone and stamp tool. In some places, clone and stamp gave a better result because it was up to me what to replace the fence with. The eraser makes an educated guess, and it is pretty smart, but sometimes it gets it wrong. In this case, the areas where the fence was in front of both the sculpture and the water, were a bit too much for the eraser. It’s within the black and white edits though, that I really took some liberties. I used the “Orton effect” filter to make the scene more dreamlike.

I am happy with both my color version from a few months ago and this black and white version as well. This sculpture is called, ‘Les Braves’ and there is a bit about it here. Your thoughts on my edits are welcome below.

Cheers!

For some strictly visual reasons, I have added this to One Word Sunday, Voyage. Click the link to see why.

Picfair version here.

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70-200mm IS lens, Canon 50D, Cee's Black & White Photo Challenge, Luminar, Photo Challenges, Photo Editing, Photography, travel, Wordless Wednesday

Wordless Wednesday: In the Distance

ISO 640 90mm f/16 1/250sec

 

ISO 640 90mm f/16 1/250sec

Normandy American Cemetery

Cheers!

Added to Cee’s Black & White Photo Challenge, In the Distance.

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