One of the fun things about having a wide angle lens is that I can create photos that make an object seem like it dominates the landscape:
I’ve done several things to make the windmill feel larger than it is, but before I get to that, here is the original file:
Since there are several edits here, I’m going to write about them in the order that I applied them. I started with a crop. Cropping is one of those edits that photographers like to argue about a lot discuss. Should you crop first thing or leave it till the end? As with many points of contention regarding photography, the answer is yes, you should do one of those things. I tend to consider it on a photo by photo basis. In this case, the crop came first. There were too many people if this image was to be one that was just about the windmill. The crop would be an easy way to remove some of them. I applied the rule of thirds to my crop, placing the center of the mill blades on the upper right meeting point of the grid. The rest of the people were dispatched with the healing brush in Photoshop. Because the sky was fairly evenly blue, the dust spots I have on my camera sensor were also obvious. The healing brush took care of those as well.
The next step was to work with the tone curve in Lightroom. I actually wanted to move the point curve within the tone curve, because I knew I could create a more matte look to the photo by doing that. I just wasn’t sure where the button was for that in Lightroom, so I found this short article with the answer, it’s one of those simple but powerful things that Lightroom is capable of, once you find the right button!
From there I opened the split-toning panel and began to experiment. I have warmed the highlights of the image using that panel. I think that gives the final photo the bit of pop that it needed. I thought to use split-toning because over the weekend I read this article about it. The article is a good starting point I think, for understanding how split-toning works. Thanks to Lisa over at One Ocean at a Time for sending me the article last week as part of a discussion we were having about photo editing. If you are in the market for a blog that is full of the beauty of the world, hers is a good place to find that.
The last steps in my edits included adding some grain and a vignette. While I often sharpen my images near the end of the editing process, in this case, I chose to leave that step off.
What do you think of my edits? Feel free to leave a comment below.
Cheers!
Added to Travel with Intent: Giant.
I enjoy coming here, if only to look at your beautiful Header. 🙂 🙂 I don’t do most of the technical stuff but cropping I can manage, and it does make a big difference.
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Thank you, I do appreciate your visits. I agree cropping makes a big difference. In my opinion, it’s often simple adjustments that can really maximize a photo.
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I like how you edited the photo Amy! Adding some grain and a vignette made a difference. 🙂
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Thank you Amy; I think grain and vignette often go well with a photograph that’s already been edited to have a “matte” effect.
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Lots of good suggestions in this one Amy!
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Thank you Tina; it was an interesting exercise for me to write out all the things I had done and why.
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Well done:)!
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Thank you very much.
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Nice work but I’m in 2 minds about the added grain.
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Yes, I have an on and off thing with grain. It’s something that I really love in my photos but I think is really easy to overdo.
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The same with all aspects of editing. Those sliders move so freely.
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I agree but I feel like grain is my “problem” slider and the effect I am most likely to overdo.
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Excellent suggestions and post, Amy.
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Thank you very much!
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Reminds me of a wonderful trip to Holland a few years back. 🙂
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Yes, it’s interesting to me how many of these I have seen now in England, where I’m like, kind of reminds me of Holland…
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“The rest of the people were dispatched with the healing brush… ” — that made my laugh. Nice edits. I was wondering what it might look like to leave one person in the frame, the person on the left who appears to be looking up at the windmill … perhaps that would be a different photo suggesting a different kind of story. : )
I recently learned this trick about finding dust spots, you may already know: crank up the Dehaze slider in Lightroom toward 100% and any sensor spots just jump out at you. Works great!
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Yes, I felt like I was being pretty ruthless, getting rid of all of them. You are right, leaving a person in the scene would have told a completely different story. It would have made the perspective of the photo more realistic as well.
That dehazer trick is a good one. The spots on my sensor are obvious in a couple places at this point. What I really need to do is work up my courage for a good cleaning. In the meantime, that dehaze slider is a good tool.
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I adore the edited version. It makes the windmill pop out. Perfection. Thank you so much for sharing your ‘how’d I do that’ insights and for your very kind introduction to my blog.
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Thank you very much for your thoughtful reading of my blog. I do suspect that people who look at my blog would enjoy yours as well.
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😀😊😘
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Thanks for another great entry to One Word Challenge
A good crop, as the top is usually the part of a windmill that we want to see. I would just like to see the end of the top blade
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Thanks for your thoughts on this and I agree, I usually leave the whole blade in.
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I especially liked the effect on the clouds in the finished image. And the editing of people out was a nice enhancement this time, Amy!
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Thanks very much. For this particular edit, I do think it was important that the people got taken out 🙂
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I agree. 🙂
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